SURROUNDED BY HAPPINESS

Her professional journey was set in motion when she showcased her piano playing to the renowned Niyazi at the age of four. The young girl enrolled in the Bülbül secondary music special school, and years later, she moved to Moscow, where she pursued her education at the Tchaikovsky Moscow State Conservatoire.

The decision to relocate to France marked a significant milestone in her professional development. Pianist, Honoured Artist of Azerbaijan, and a prominent figure within the Azerbaijani diaspora in France, Professor Adelia Aliyeva has successfully established collaborations with many renowned individuals across various fields. Her extensive life experience, sociability, and unparalleled talent have contributed to her widespread popularity and recognition. It is no coincidence that Marcel Landovsky, Chancellor of the French Academy of Sciences and Arts, remarked that Adelia Aliyeva is one of the finest performers of this century.

In 2001, she assumed the role of head of the French Higher International Academy of Music. Her concerts have taken place in over 50 countries, and more than 30 compact discs have been recorded at esteemed recording studios.

She has captivated audiences with her virtuoso performances of works by Gara Garayev, Jovdet Hajiyev, Tofig Guliyev, Oqtay Rajabov, Vagif Mustafazade, Arif Melikov, and other Azerbaijani composers.

Adelia Aliyeva's contributions to the global music scene have not gone unnoticed. She received the Best Performer of Rachmaninov Concerts Award, is a laureate of the International Villa-Lobos and Transcaucasus competitions. In 2022, by decree of the President of France, she was bestowed with the highest military and civilian state award of this country—the Legion of Honour.

"Adelia-khanim, how do you feel about communicating with journalists?"

"If the interviewer is professional and approaches matters with respect, I sincerely enjoy it. I particularly appreciate unconventional, tactful, and intelligent questions. This creates a distinctive tone for the conversation, making the interview unfold in a much more pleasant atmosphere. In general, professionals effortlessly connect with each other, regardless of their field. Success in life, work, and art can only be achieved through professionalism. This holds even more true in relationships with others.

"Interviewing is an essential part of our profession and becomes habitual over time. For instance, after a television interview, Rostropovich could effortlessly board a train to another city. Individuals who have reached significant heights understand the value of media and strive to cultivate appropriate relationships in this regard.

"Creative individuals are often characterised as somewhat whimsical. Does this stereotype apply to you?"

"I believe this occurs in the early stages of a creative journey when a person is in search of their identity. They experiment with various roles and do not fully comprehend what they wish to achieve. I have experienced this phase and consider myself fortunate to have evolved creatively. Working across different countries with renowned conductors and musicians, as well as various organizations and educational institutions, has provided me with immense experience. However, fatigue is frequently mistaken for caprice—especially before a concert when one is intensely focused due to an audience of 2,000 people awaiting their performance. A concert entails significant responsibility."

"Do you practice any rituals that help you in managing excitement and fatigue before major events?"

"This is an integral aspect of our profession. Before stepping onto the stage—particularly when performing challenging pieces—concentration is crucial. A performer should be imbued with positive emotions that they can share with the audience. Thus, prior to going on stage, one often seeks solitude to reflect solely on the upcoming performance. It is also vital to "establish rapport" with the instrument being played, fostering a connection to understand its capabilities. Each instrument requires a unique approach—much like people do. Adjusting to the lighting and acoustics of the venue is equally important. Therefore, I approach rehearsals very seriously. After a concert, fatigue dissipates naturally as tension eases. I feel fulfilled by my efforts—I have been able to share something special with the audience."

"It has always intrigued me why pianists sometimes close their eyes during performances. What are you thinking of at those moments?"

"(Smiles) No one has ever asked me that before! When I perform—especially romantic music—it truly feels as though I am travelling to another dimension. The music transports you into a realm of dreams and reflections. All barriers and boundaries fade away during performance; it allows one to forget daily problems and focus on beauty. This state is consistently inspiring and revitalizing. When I play, I am entirely immersed in the music, granting me the opportunity to convey all its beauty and depth to the audience."

"You collaborate with numerous composers from both foreign and local backgrounds, encompassing both contemporary and classical music. How does your cooperation function?"

"Yes, I have been fortunate enough to work with many composers. Typically, they send me their works and request performances. Of course, due to numerous requests at times, I cannot accommodate them all; however, it is always gratifying when a composer entrusts me with their "child." Each composer has distinct expectations—some guide you through their work's meaning while others prefer to hear their music interpreted anew. They place complete trust in the performer and anticipate a fresh perspective on their compositions. This process is fascinating as you serve as an intermediary between the composer and the listener.

"I have had the privilege of collaborating with many composers, including Marcel Landowski, Chancellor of the Institut de France and President of the French Academy of Fine Arts; Rodion Shchedrin, named Composer of the Year by the Pittsburgh Symphony Orchestra; among others. I encourage all young performers to engage with composers and showcase their works across various genres. This approach will yield positive outcomes for their artistry.

"Gara Garayev and Arif Melikov—mentioning these names evokes awe. Can you share your impressions of these encounters?"

"I met Gara Garayev and Arif Melikov through their works, which left an indelible mark on my memory. Gara Garayev was a true genius; his compositions inspired not only me but many musicians worldwide. Regarding Arif Melikov, his musical pieces continue to hold a special place in my repertoire. Both composers commended my work; over time our collaboration blossomed into a meaningful creative friendship.

"Additionally, I was lucky to work with Oqtay Rajabov and Tofig Guliyev. I remember recording Tofig Guliyev's Variations in Switzerland before releasing a compact disc in the UK. To my surprise, Maestro Guliyev called me to express his joy over my performance. Receiving such high praise from professionals is exceptionally gratifying. Among the accolades was a review from American music critic Donald Vroon, who said: "You are the perfection of our days."

"How did you meet with Vagif Mustafazade?"

"It was a unique introduction. We lived across from each other, and one day we were both invited to participate in a government concert. He invited me to be the first performer at his jazz-style concerts. At that time, I was facing a challenging phase in my life; his music became an outlet for me. Following that concert, we met again, forging a long-lasting friendship and collaboration. Vagif Mustafazade was an extraordinary musician; I still perform his compositions today—including Three Preludes for Adelia, which he dedicated to me."

"What moment do you consider pivotal in your life?"

"I believe there have been several such moments—encounters with remarkable individuals, relocating to different countries, and significant concerts. Each changed my life while providing new opportunities and strength. I always anticipate that another turning point awaits me—one that will bring happiness and inspiration. After all, happiness sustains us; it provides energy and strength to move forward."

"You are quite active professionally. What significant projects have you managed to implement over the past year?"

"We organized the 19th Adelia Aliyeva International Competition this year online due to some countries still recovering from quarantine measures. However, next year we hope to resume the contest in its traditional format; many performers have already expressed interest in participating. We have secured new sponsors in France as well. The competition increasingly attracts talented musicians from around the globe—with participants from new countries each year—including Latin America and even New Zealand. We observe how eager individuals are not only to showcase their skills but also to be present physically and experience the atmosphere first-hand. Musicians from Azerbaijan demonstrate great enthusiasm as well; I would particularly like to highlight Timur Abdigiyev's talent—at just 19 years old he was a soloist at the Mariinsky Theatre and won first place in our annual competition. He now lives in France while building his future career."

"What distinguishes this competition from others?"

"Firstly, it features an updated and meticulously crafted program. Secondly, it takes place in France and Switzerland, with the final stage hosted at the United Nations. And lastly, our jury comprises leaders from the international music elite and industry figures—including David Byers, Chief Producer of BBC Radio; Loïc Hervé, Vice-President of the French Senate; Virginie Juby-Muller, Member of French Parliament; Senator Cyrille Pelva; among others.

"We are immensely grateful to the Heydar Aliyev Foundation for its valuable support as our partner; we also appreciate Total Energies for their contribution.

"Additionally, I extend special gratitude to Azerbaijani President Ilham Aliyev for recognising my work through awarding me the Order Dostlug as well as the medal commemorating 100th Anniversary of Heydar Aliyev."

"How do you assess contestants? What criteria do you consider when selecting a winner?"

"Personally, what matters most is a musician's ability to express themselves through their art. While technique holds significance, equally important is the emotional depth behind their preparation and attitude towards the piece being performed. We consistently evaluate these factors collectively; at times this leads to discussions among jury members—but we strive for consensus since we recognize we are assessing young talents who have much potential ahead."

"As an educator, what do you think of the developments in artificial intelligence and its role in creativity and education?"

"With television's arrival, there were fears that people would stop attending concerts and cinemas; however, that did not transpire. Presently, there are concerns that robots and technological innovations will replace humans—I do not subscribe to that belief. Artificial intelligence serves as an intriguing tool that can assist with mundane tasks such as composing letters or translating texts; yet despite its capabilities, it will never replicate human involvement in music. A machine can execute a piece flawlessly from a technical standpoint but cannot convey the emotions and feelings that a musician infuses into their performance. Taste is essential in performance; a sense of beauty is crucial—and this has always been and remains a human prerogative."

"What new skills have you acquired over the past year? What particularly inspires you?"

"I consistently seek new learning opportunities—I'm learning languages and exploring new technologies—but most importantly, I find inspiration in my interactions with people. Engaging with interesting individuals is truly invaluable; I deeply appreciate opportunities for dialogue where opinions and experiences can be exchanged—it fosters my growth both as a musician and as an individual. For me, communication represents enrichment—not just morally but intellectually as well. We engage socially both to receive insights and share our own perspectives. Though I've always been relatively social-minded much of my life has revolved around circles sharing similar interests or passions for music—this allowed me harmony between creativity and everyday life; now I'm striving to broaden my social circle beyond those confines—it's effortless for me."

"You are a citizen of the world living across three countries: France, Switzerland, and Azerbaijan. Are there differences in communication styles among these cultures?"

"Generally speaking, there are no significant differences regarding communication style at the interpersonal level. Individuals who reach certain heights remain self-sufficient and fascinating regardless of location; while cultural traditions may vary slightly sincerity trustworthiness respect for one another transcends borders completely. For instance many believe Westerners are cold—which isn't accurate! Once acquainted they become caring attentive individuals—the French or Swiss alike understand how to provide support kindness—as evidenced by assistance offered during my brother's illness while he was in Switzerland—a gesture for which I'll remain eternally grateful! I feel strongly connected: Azerbaijan is my birthplace while France serves as my second home."

"Given recent events, with deteriorating political relations between Azerbaijan and France, have you personally been affected in terms of your artistic endeavours? What are your thoughts? Do French cultural figures often inquire about Garabagh? What measures do you take regarding misconceptions within French society about Armenian-Azerbaijani conflict? "

"Fortunately residing within France amidst sensible decent individuals—politicians cultural figures artists who accurately assess prevailing circumstances—has shielded me from adverse effects thus far! Naturally, there are questions emerging repeatedly that require me to provide reasonable responses due to the lack of veritable information in the European media. Leading Swiss newspaper Tribune de Genève along with various local publications featured my articles about Azerbaijan's legitimate claims concerning territorial rights consistent UN resolutions. Notably swift backlash emerged from Armenian circles who dismissed this endeavour criticising it as "misuse international status for Azerbaijani lasers!" (referring specifically first Azerbaijani laser weapon Fireforce) As UN Ambassador Peace I consistently affirm peaceful legitimate aspirations belonging Azerbaijan its valiant leaders including esteemed President Ilham Aliyev alongside our heroic populace! Additionally serving deputy chairperson French Association Southern Azerbaijan presents further opportunities disseminate accurate perspectives! Despite ongoing political challenges friendships cultivated among senators parliamentarians garner genuine interest regarding factual insights! My hope remains steadfast common sense goodwill triumph ultimately ushering long-awaited peace especially across long-suffering Garabagh territory where remarkable individuals—including my grandfather—sacrificed their lives!"

"Thank you very much for such a wonderful conversation! We wish you countless positive moments throughout your life."

"Thank you for your interest in creative individuals and my inner world! As Plato once said, music is a moral law. It gives a soul to the Universe, wings to the mind, flight to the imagination, a charm to sadness, gaiety and life to everything. It is the essence of order, and leads to all that is good and just and beautiful! Thank you!"